Tag: #feminism

Interview With Alice Zilberberg – Internationally Acclaimed, Award-Winning Artist

Overblown and imperfect, sensual and symbolic, are layers of different circumstances and conditions that Alice Zilberberg explores in her compositions. An Award-winning Fine-Art Photographer, Alice communicates complexities and possibilities of human conditions in our contrived world. Her visual language merges hallucinogenic scenes and what appears to be a reflection of the reality. She elevates her subjects mythically, however, she does not spare them the fallibility of their entity.

The images go through mutations, they change in form, become fragile, dramatic or grand. Still, Alice exposes her subject matters in symbolic ways. The confluence represents the unconscious and the notion of seeing one thing through another. Alice Zilberberg taps into her imaginative psyche to open a dialogue about the female power, nature and challenges the philosophical questions about self.

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg – I have struggled with insomnia and chronic fatigue in the past two years. Very quickly, my day-to-day life changed from being normal to becoming just about getting enough rest at night so I can stay connected to my creativity and sense of self. Above Water reminds me of all the times I’ve told myself to keep my head up and to persevere through my struggles. It is about that middle point where I could give up and label myself defeated, or choose to look forward and smile, believing that tomorrow will be a better day.

 

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg – We often define ourselves by our past, and hold beliefs about what things will be like in the future. It could be difficult to remember that every new day has the potential for change. With every new day, we can start working towards a new goal and a dream. This image is a metaphor for the birth of every new day.

Interview with Alice Zilberberg

Jupilings: Tell us about yourself and how you got into art/photography-

AZ: I started drawing and painting when I was very young. I started playing around with manipulating images even before I shot my own. When I picked up a camera in my last year of high school, I saw that I liked the detail that the medium of photography gave me, as well as the dichotomy of the real/unreal that I was able to achieve using digital painting. I’ve been working in this style since.

Jupilings: The fundamental principle in your creations-

AZ: I would say that principles change during different periods in my creation. At the moment I am emphasizing trying every idea that I have, without being scared, and eliminating expectations of what it “needs” to be.

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg

Jupilings: What is your perspective on life-

AZ: I always try to keep in mind that we have a limited amount of time here, and death is inevitable. We should try to enjoy and explore things we want to create or do as much as possible.

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg – Desert Moon was created from content I collected during my travels through Arizona and California. I was inspired by the surreal and unique terrains, and was fascinated by the diversity of land that occupied this area. Driving through the vast landscapes reminded me of how small I am in comparison to the rest of the world. I found this therapeutic, rendering my concerns and worries less important than before. The oversized moon added in each image represents the calming affect I felt while spending time here.

Jupilings: What are you aiming for in your art-

AZ: My latest work asks questions pertaining to the state of being, particularly our relationships, whether to ourselves or others. In it a find a kind of peace that I hope helps others look inward and find answers about their emotionality.

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg – In a transitional time in my life, I felt inspired to create Begin. It reminds me that no matter what happens in life, we can always start again. Wrong paths do not look as a failure to me, but only a path to a new and more beautiful beginning.

Jupilings: What surprises you most in life, even though as an artist/photographer, you narrate dreams, ideas, out of ordinary situations,..through images-

AZ: I’m surprised by different things, and I am used to the surprise. I think it’s important to keep learning and exploring as much as possible in the world. I think being curious and asking many questions is a really healthy thing, which provides you with wisdom for your next step in life.

Jupilings: What motivates you to take pictures, is it an emotional state, philosophy of life, politics or advocacy-

AZ: The creative process is a therapeutic one for me, and I hope that my work inspires others to look inward as well. It’s about trying to make sense of the complex human condition, to provide some sort of relief and even a sense of control over our lives.

Jupilings: Do you have a preference in camera, software or technology ? & why-

AZ: I am not a technology-oriented person. I’ve always been in the mindset of getting your hands on enough to create what you want to create. We often get carried away with all the technology can do, instead of thinking of what we need to do what we already do.

Jupilings: Which photographer has influenced you most-

The works of many photographers inform my work, but I think my ultimate favorite artist is Salvador Dali.

Jupilings: What is your favourite subject to capture-

AZ: I rarely think of my work as photographing just one subject; photography becomes a kind of canvas for me on which to create and paint over, making an image that feels like a digital painting rather than a subject. My favorite thing to work on is whatever I’m working on currently since the excitement, and the possibilities take over me.

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg – The series Goddess Almighty is a reinterpretation of the first recorded goddess, Mother Nature. Worshipped in a time when nature was depended upon and respected, she epitomized fertility, the life cycle and sexual freedom, all embodied in a woman. Today, by contrast, we domineer and destroy nature. Our primary religions convey god as a man and traditionally devalue women. Reminiscent of baroque art, the work reestablishes the goddess to her origins, defining her as strong, mysterious and defeating. Dancers are used for their physical strength, their muscles digitally exaggerated.

Jupilings: What does women empowerment mean to you?

AZ: It means being in touch with yourself, your cravings, and needs. Going for it no matter what gender you are.

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg

Jupilings: What are your tips about building a brand name as an artist/photographer-

AZ: I think that when you are starting out, it is important to just focus on creating whatever you want, without labels, branding, or anything. As soon as you are put into a box and labeled, it could be restrictive to your work, and you could kill the very creativity in you that drew you to create in the first place. Later on, it might be more important to develop a language around your work that you feel represents you.

Jupilings: What do you do to conquer fear or self-doubt-

AZ: When something overwhelms me, I just take the first step in the direction of trying something. I then try to focus on the next step. I find that if I do this, I very quickly either get into a flow or see that the experiment is not working. I will learn and move on.

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg – In the Dark is a representation of the feelings of uncertainty that sometimes linger over me when I dive into the unfamiliar. I try to experiment in my life and in my work by doing new things that intrigue me. This is accompanied by fears and doubts about the future. Feeling captivated, but unstable. I always remind myself that only with experimenting, there can be growing and learning. All experiences, however uncomfortable, teach us something and become a part of who we are.

Jupilings: What are your thoughts about the blockchain technology especially in support of digital art?

AZ: I think different options to sell your art are always great, especially one that addresses the authentication problems for digital artists. I haven’t explored this area myself, but I look forward to seeing the changes in the art market.

Jupilings: Would you consider using the blockchain technology platform to reach global digital art/ photography enthusiasts? What are the problems in your industry do you want these platforms to solve-

I am open to it, I think the blockchain and art relationship is still evolving, and I look forward to seeing how it develops.

Jupilings: What superpower you would like to have ? and why-

AZ: I want to teleport to any place at any time, it would save me so much travel time and jetlag for any projects I’m working on.

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg – In a transitional time in my life, I felt inspired to create Release the Sun. I often suffer from anxiety, and through therapy I always remind myself of the sense of flow I get from making artwork, which feels like a ray of sunshine. This image is a metaphor for this

Jupilings: Which movie you would have liked to be the lead actor-

AZ: I would hate being the lead actor in any movie; I am terrible of being put on the spot!

Jupilings: What is your life motto-

AZ: This is your time to do whatever you want to do.

Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg
Courtesy of Alice Zilberberg – The Dreaming Girls is influenced by the surrealism movement. An homage to the surrealists working from the 1920s to the 1960s. This projects seeks to channel the unconscious and unleash imagination.

 

Alice Zilberberg
Alice Zilberberg – Alice Zilberberg is an internationally acclaimed, award-winning artist, recognised by curators, collectors, and art patrons across the globe. Born in Tallinn, Estonia, and raised in Israel, she currently resides in Toronto, Canada.

The Art of Afsoon

How to peacefully tackle and question the ideologies, values, and happenings of the 21st century? The disagreements, the conflicts, the foolishness yet the ever-present of innocence and divine are the prismatic reflections in the artwork of Afsoon, a renowned Iranian born,  London-based artist. Her assemblage tells the story of individuals who bare open the vulnerabilities of humanity such as her collection of poets. At the same time, she shed lights to paradoxes of war and allegorical beliefs of our times in an imaginative and whimsical manner.

Poets in Heaven Series - by Afsoon
Poets in Heaven Series – by Afsoon
War Carpets - by Afsoon
War Carpets – by Afsoon

Afsoon explores complexities of our world and takes us a step forward to examine perceptions and tenets. Similar to our pure ideals of love, the original sin, transformation of Adam & Eve, the defiant celebrities to earthlings, or the schisms of feminine experience. Still, hope is in existence. A firm believer of a fairytale, she constructs narratives, she remembers, she solves, and she implies survival of not only the fittest but the one that still believes in humanity.

Adam & Eve - By Afsoon
Adam & Eve – By Afsoon

She makes use of linocut, photography, watercolour, collage, and etching for her multilayered creations. For the most part, she illustrates her deep connection with her homeland while exploring the splendor and the Achilles heel of the East and the West. Afsoon’s works have been extensively exhibited and can be found worldwide in prominent collections and museums, including the British Museum, Los Angeles County Museum and Berger/YSL Collection, among others.

 

Afsoon
Afsoon

Interview

Jupilings: Tell us about yourself and how you got into art-

A: As long as I can remember, I have been making things. From drawings with crayons at a very young age and my preteen magazine collages to film art in my early twenties to work, I do now.

Jupilings: How do you choose your protagonists-

A: I am my protagonist.

Jupilings: What is the fundamental principle in your creations-

A: Storytelling

War Carpet - by Afsoon
War Carpet – by Afsoon

Jupilings: As an artist, what role and social responsibility you shoulder-

A: An artist should be honest.

Jupilings: When you are creating a work of art, you are forging an engagement with a situation or an emotion. Do you aspire to drive public awareness to activism, in any stage of your creation-

A: Emotions are always involved in creating my art. I tell my story and leave it up to the viewers to engage with it in their own way.

Jupilings: What is one undisclosed or mysterious piece of information about yourself, you would bravely share with your audience-

A: I am scared of the dark.

Jupilings: What does women empowerment mean to you-

A: I am a woman and a feminist. Equality is the answer.

Keys from Persian Magic Series - by Afsoon
Keys from Persian Magic Series – by Afsoon

Jupilings: Three tips about building a brand name as an artist-

A: I don’t believe in this brand name and so forth. I am an old-fashioned artist. My only tip is to keep on making art.

Jupilings: What do you do to conquer fear or self-doubt-

A: I make art and write short stories.

Jupilings: What superpower you would like to have-and why-

A: I would like to be invisible to see and hear things that are not meant for me.

Jupilings: Which movie you would have liked to be the leading actor-

A: Nostalgia by Tarkovsky

Jupilings: What is your life motto-

A: I follow Louise Bourgeois with: Art is a guaranty of sanity.

Forough from Fairytales Icons Series - By Afsoon
Forough from Fairytales Icons Series – By Afsoon

 

Interview with Jana Brike, Echoes of Self-Awareness

What happens when you achieve to liberate your mind, when you weave memories, capture purely personal feelings and unfold your experiences in colour?  Beyond doubt, beautiful imagery! Nothing is as fulfilling when you come to terms with your repressed unconscious.  Latvian pop surrealist artist, Jana Brike is the epitome of this awareness. With Masters in the Art, she transforms taboos, despairs, pleasures, desires, and vulnerabilities by channeling the energies to discover her true self and create a sublime art. Unassumingly, she explores her life story and feelings, re-creates and allows us to re-live the stimulations.

"Summer of Wild Wallflower" by Jana Brike Courtesy of Gallery House Toronto
“Summer of Wild Wallflower” by Jana Brike Courtesy of Gallery House Toronto

Unapologetically, she has put aside manuals, instructions of social behaviors and codes of hierarchical society by refusing to accept conformity without examination. In spite of that, she believes in the naivety of human soul and purity of love in an unconventional manner. She touches on existential life question, embracing with harmony and awareness her transformation much like the cosmic ocean cocooning planets and stars which continually create new forms even if they are interdependently connected and travel in similar paths.

"Echoes from the Center of the World" by Jana Brike - Gallery House Toronto
“Echoes from the Center of the World” by Jana Brike – Gallery House Toronto

I had the opportunity to meet her at Gallery House, Toronto during her exhibition and was able to have an exclusive interview. To begin with, I would like to thank Jana Brike for her generous collaboration, Belinda Chun and David Keyes from Gallery House, Toronto for curating, organizing exhibitions and facilitating this talk:

Jupilings: Jana Brike, tell us about yourself and how you got into art:

JB: Honestly, I’ve been an artist as long as I remember myself. I always was the kind of “beauty would save the world” person and knew I would do something creative. As a little child, I loved art exhibitions, ballet performances, theater, reading books, looking at book illustrations, watching movies and especially animations. It felt like these expressions transcend the human condition so beautifully. So I knew I would do something in that field. I disliked stage though and loved spending countless hours hatching and brewing something creative in the quietness of my room. So painting choice came naturally.

Jupilings: Who is your protagonist? 

JB: It is always me, in a broader sense. My work is my visual poetic auto-biography through which I look at my experiences, at what it means to be human, I change these experiences and conditions into something meaningful, they become like stages of initiation into a broader and more profound self, for myself and hopefully others.

"New Day Rising" by Jana Brike Courtesy of Gallery House Toronto
“New Day Rising” by Jana Brike Courtesy of Gallery House Toronto

Jupilings: What inner force shapes your artistic concepts:

JB: Personal truth and love. Lately, it is also something more fragile, like naked vulnerability and hope. I feel that the spear that destroys your armor and injures your hardened skin can itself break in the gentle softness of your open heart. That fierce gentleness and complete openness, I want to channel it into my work. Even if living like that in a world like ours is not yet always possible.

"Tour Guide and the Runaway Princess" by Jana Brike - Gallery House Toronto
“Tour Guide and the Runaway Princess” by Jana Brike – Gallery House Toronto

Jupilings: As an artist, what role and social responsibility you shoulder: 

JB: I don’t think it differs much from the role and social responsibility of any human being – to experience the wonder of life to the best of your ability, in the way that expresses the best version of your self. Otherwise, the role differs from artist to artist, there as many forms of visual expression as there are individual personalities of artists out there. I personally always felt that role as some peculiar form of shamanism, for me the work always involves a deeply meditative state, certain transcendental energy, even a sense of ecstasy, specific sensing of and work with the future possibilities like in dream states and more. Work with collective archetypes, with collective daydreaming like in myths. In an as aware way as I currently can. I don’t know if it’s the same for other artists.

Jupilings: What narrative transpired in your latest collection and especially “two angels in the deep dark wood”:

JB: I feel my work less like a linear narrative and more like a piece of visual poetry. Those are stories very much about intimacy – towards your own body, your soul in the first place, and then between you and another. Also, about playfulness, joy, discovery of your true nature, the pleasure of being alive.

"Two angels in deep dark" by Jana Brike Courtesy of Gallery House Toronto
“Two angels in deep dark” by Jana Brike Courtesy of Gallery House Toronto

Jupilings: You create defiant art, exploring social and cultural pressures, how do you preserve the standards of propriety while discussing and weaving your
visual narrative:

JB: I don’t think my characters defy public opinions or propriety; I feel more like they live as if there were no outside opinions or pressures to consider, as if one’s freedom and integrity and love was the only law to live by – maybe that is what gives this slightly utopian feel to my work. And I don’t think on much else while I paint, and definitely not the collective standards and expectations. If any rules guide me, it’s my personal sense of ethics and my own deeply felt experiences.

"Wildflowers on the Edge of a Cliff" by Jana Brike - Gallery House Toronto
“Wildflowers on the Edge of a Cliff” by Jana Brike – Gallery House Toronto

Jupilings: What is one undisclosed or mysterious piece of information about yourself, you would bravely share with your audience:

JB: All my important personal feelings, thoughts and human experiences are shared through my painting with no reserve and no holding back, truly. At the same time, to me, there is something numinous to the painting process, as if I transcend my trials and tribulations in an in-depth emotional sacral process while I paint, so the finished painting is a sort of personal icon to me. This process is mysterious, even to me, I know for sure that I emerge healed on the other end. The particulars of my life facts don’t matter.

"Mayday" by Jana Brike - Gallery House Toronto
“Mayday” by Jana Brike – Gallery House Toronto

Jupilings: What does women empowerment mean to you?

JB: Definitely, the first step is finding your own personal power, a broad sense of self-worth, self-love, self-respect, self-care that doesn’t require external validation. I honestly believe that the way you treat and think of yourself, the world will reflect that right back to you. How worthy of the love you consider yourself. And having this personal base foundation strong, the next step is to reach out and help the sisters, to share, support, encourage. The changes in the society do not star from outside and from the top as law as much as they grow from inside – you change yourself, spread it to the family, closest tribe, and then outwards, to the society. From the center of your heart outwards.

Dreams, more real than life sometimes.. by Jana Brike - Gallery House Toronto
Dreams, more real than life sometimes.. by Jana Brike – Gallery House Toronto

Jupilings: What are your tips about building a brand name as an artist?

JB: I think it is first a very honest work with yourself as a human, “brand name” comes much later; first, you need a very solid substance of who you truly are, something to attach that brand name to. You have to find yourself, to dare to be yourself and stay true to yourself, celebrating your uniqueness, your individual view of the world. To dare to speak about what is important to you personally, about what makes you burn, what is your bliss, what is your passion. Then comes very serious, very responsible and professional work ethic and very committed work on the necessary skillsets. And just after all that can you think of brand names. Of course, vice versa is possible, you can come up with some loud noise of a brand name to cover up the emptiness behind, and it would work for one day, but it wouldn’t give satisfaction, nor serve any worthwhile purpose with a capability to last.

"The procession" by Jana Brike - Courtesy of Gallery House Toronto
“The procession” by Jana Brike – Courtesy of Gallery House Toronto

Jupilings: What do you do to conquer fear or self-doubt:

JB: Self-doubt is also a kind of fear – that you may fail, that you won’t be good enough etc. – so it’s a question about fear.
To me, the answer is almost constant self-observation. I look at, and question every thought or emotion that rushes through me, and I question where it’s coming from, and what purpose does it serve. And in the very base, I feel there are two basic emotions, or energies – that of love, and that of fear (which further feeds anger, hate, etc.). So I question my motives, viewpoints, decisions, thoughts daily, asking myself where they come from and what I will choose today – love or fear. Every single day. All the time. I don’t think there is any other way. It’s a daily work, daily hygiene – like wash your dishes, make your bed, brush your teeth and also weed out your soul and mind and motivations and keep them clean.

"Blood Moon" by Jana Brike - Courtesy of Gallery House Toronto
“Blood Moon” by Jana Brike – Courtesy of Gallery House Toronto

Jupilings: The blockchain technology will remedy many issues linked to provenance, transparency, copyright, ownership, valuation, and authenticity in the Art Market. And indeed, it could make it easier for artists to get paid and get known. What are your thoughts about this technology which is about unconstrained collaboration, & promise of fair rewards for the artist? Would you consider using blockchain technology platform to reach global art enthusiasts? 

JB: I haven’t investigated its potentials much beyond what is commonly known about new types of currencies, but I am excited about new possibilities and growth, and this new era we live in with new kinds of sharing and exchange. These are exciting times.

Jupilings: What are the problems in the Art Market do you want these platforms to solve?

A lot of issues are already being solved by just internet, like artists complete dependence on the establishment, necessity for some person who is a mediator between viewer and artist and on whose good grace and evaluation an artist depended – it’s nearly gone, you as an artist can find your public even if you don’t have a gallery or a magazine which would publish you. Also if you stand way out and beyond what the establishment considers a value. I think it’s a big gain all in all. More will be changing I expect, so it’s good to have one’s senses keen and alert.

"The Wild Honey Girl"by Jana Brike - Gallery House Toronto
“The Wild Honey Girl”by Jana Brike – Gallery House Toronto

Jupilings:  What superpower you would like to have ? and why?

JB: I’d like to be able to fly; I think that would be a thrilling sensation.

"Into the Dark" by Jana Brike Courtesy of Gallery House Toronto
“Into the Dark” by Jana Brike Courtesy of Gallery House Toronto

Jupilings: Which movie you would have liked to be the leading actor: 

JB: Lead role in my life’s story is enough for me.

"The Deep Waters" by Jana Brike Courtesy of Gallery House Toronto
“The Deep Waters” by Jana Brike Courtesy of Gallery House Toronto

Jupilings: What is your life motto?

JB: Stay true to myself, live with an open heart, accept myself as I am – that’s the basic guideline. Although I don’t despair if some days I can’t manage this.
I have somewhat of an inner protest to things like verbal mottos; those tend to turn into self-imposed laws like a box you can’t get out of it. I live as I live, I am what I am, I have my inner compass that guides my path, and it doesn’t depend on pre-conceived mental constructs much.

Jana Brike
Jana Brike

 

 

Jen Mann – Relationships & Emotions

Jen Mann is a Canadian artist who explores how relationships form and develop. She delves into “self “concept, the realization of being a separate entity and how our shared experiences whether in the form of harmony or conflict, condition our ways of life.

Fireworks by Jen Mann
Fireworks by Jen Mann

Her compositions manifest the prevalent social trends in digital narratives with incredible hues. The unnatural colours that embody her work relate to her storylines and formulate into strong emotions.

PLZ
PLZ ❤ Me – Jen MannJen Mann

She tackles the existential questions by taking a satirical, intellectual and honest approach to our conventional values.

Emoji - Jen Mann
Emoji – Jen Mann
Venus - Men are from Mars Women are from Venus
Venus – Men are from Mars Women are from Venus
Wet Dreams - Jen Mann
Wet Dreams – Jen Mann

The concept of real or constructed self identity is portrayed in her creations to make us aware of our cultural attitude towards individualism. She is her own muse and captures her identity in different conditions by being conscious of her interrelationships with self, others and her environment.

I don't feel blue, I feel delft blue - Jen Mann
I don’t feel blue, I feel delft blue – Jen Mann

 

Single Tear - Jen Mann
Single Tear – Jen Mann
The Facade - Jen Mann
The Facade – Jen Mann
The side I don't see - Jen Mann
The side I don’t see – Jen Mann

 

Jen Mann’s contact: http://www.jenmann.com/info